Documents Similar To The Photography Reader - Liz Wells. Alan Trachtenberg - Classic Essays on Photography. medical-site.info The Photography Reader Liz Wells - [Free] The Photography Reader Liz Wells [ PDF] [EPUB]. Photography and photo sharing nowadays form. The Photography Reader is a comprehensive collection of twentieth-century writings from Walter Benjamin to Roland Barthes and Susan Sontag, the Reader.
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The Photography Reader is a comprehensive introduction to theories of Download PDF: The Photography Reader by Liz Wells Free The. and humanities, university of plymouth. the photography reader - steps forward - tags: the photography reader download, the photography reader liz wells pdf. trace the development of ideas about photography. Download PDF: The Photography Reader by Liz Wells Free Get this from a library! The photography .
Does beauty give respect to those who suffer impoverishment or does it attract attention as an image of a fashion model. To take it into a modern context. Should photographic artists gain money from images of war, genocide, natural disasters.
Or should we rely only on snapshots or public images these days often published by witnesses to such events. This topic is considered by Susan Sontag in Chapter 5.
Sontag talks of why she does not take photographs there is a sense of disdain in the number of photographs been taken and that this influences or sensibility. I personally can see this point of view. We are influenced in how we photography by those who have taken images before us. Perhaps oversaturated with images. We feel as if any item or event worth looking at is flattered by taking a picture. Can this stop us really looking, can it get in the way of enjoying a moment I am sure it can. However I would Challenge Sontags view in that an artist or photographer today could be challenged to move completely out of the comfort zone and create a way of looking that is new.
This is the world we live in today a world of consumerism and fast paced life. Is photography merely a part of this or can it be obtained from a slow observance of the world today.
Sontag admits that photography creates a kind of sensibility to objects perhaps old decayed things that would otherwise go unnoticed. To an everyday object that could be overlooked. It has created a sensibility that no other art had done. Art had always been associated with beauty. The photograph celebrates the everyday also.
We photograph everything to the point of their being no novel in it. We have overused a smiling face for consumer purposes in that a smiling face no longer has any value. HAs this been over looked because it is so obvious? Roland Barthes explains how it is in the antipathy towards cinema compared with the absorption in the still photograph when looked at after a period of time.
Wollen explains how when Barthes wrote about Film he wrote about film stills, when writing about theatre he wrote about Tableaux vivant. Lingusistic Semiotic past imperfect.
To further research. Chapter 8 Chapter 9 Ossip Brik What the eye does not see. The photogram or camera-less forms produced by light. The key to photography. Through the development of black and white light and shadow were fully revealed. We look at the various possibilities of photography from photogram, stopping movement, showing movement, micro photography.
It is noted that photography was held back as a new medium by trying to imitate painting. However it is astonishing from its slow start and lack of development due to imitating other art forms that it has become such a central visual media now. Photographic series. It is no longer a picture image sequencing. Challenged photographer to escape old art ways and be free to develop new art traditions in the photographic sense. Photography was easy, cheap and ubiquitous and it recorded anything: shop windows and sod houses and family pets and steam engines and unimportant people.
And once made objective and permanent, immortalised in a picture, trivial things took on important. The photographer learned to envisage the final product. The photograph brought out clarity in certain details and lost other details. It was the photographers problem to see not just the reality before him but the final invisible picture.
To make his choices in terms of the latter. The public believed the photograph was an exact copy and it suited the photographer to pretend this was so.
The detail. The Frame By closing in on two figures the photographer creates a relationship between them that was not there before. What is seen on the borders of the image. The photographer had to learn how to include only what he wanted. This was possibly learned from previous art forms and scrolls. Instead of including messy buildings in the background etc.
Photographs are either short or longer exposures. Time is always present. Immobilising thin slices of time did not always have to do with what was happening but the creation of shapes and lines that had been previously concealed with the flux of movement. Vantage Point. Photography taught us to see from the unexpected vantage point. This is perhaps a unique factor that photography brought to art.
Effects of photography on Painter Francis Bacon. Photographic distortion. Chapter 12 Edward Weston — Seeing photographically. Again we look at how photography was seen as a new type of painting an the medium imitated painting instead of developing its own style.
Despite all the developments in todays photography the painters approach still exists. If we look at the textured screens and handwork on negatives, read made rules of composition.
Nature of image. A composer can spend many years writing music, an artist a lifetime on one painting and not consider it finished.
The photographer has no such luxury. What defines a photograph is the graduations from black to white, each element of the picture contains particles and this is what gives it tension.
According to Weston if we adjust or paint over these particles or print on textured paper we lose that tension. Finally the image is characterised by lucidity and brilliance of tones. Quality which cannot be obtained in pants are made o dull surface papers. Recording the image. Most important for photographer is to learn to see photographically. Learning to use one lense, one type of paper, sticking to the simplist of equipment one can go much further than trying to use an array of different tools.
A photographer must learn to judge the quality of light, to translate colours into their monochrome values. With practice it becomes intuitive. Part Three Codes and Rhetoric. Barthes argued that the image in itself was transparent, renderings of what they record. Andre Bazin argued hat the photographic was most authentic when intervention on the part of the photographer or film maker was minimised. Umberto Eco defines codes of transmission associated with the technical process.
The use of lights, focus and so on convey hidden messages. Free delivery worldwide. Bestselling Series. Harry Potter. Popular Features. New in Photography Photographic Reportage Media Studies. The Photography Reader.
Notify me. The book is appropriate for photography students, whereas for other interested readers it would be better to get the originals of those essays condensed in this reader.
Jun 21, Mona rated it really liked it. If you have an interest in photo history, I highly recommend this book. It's a collection of readings by or on historical figures in photography such as Susan Sontag, Roland Barthes, Umberto Eco, and many others. Mar 03, Traci rated it liked it Shelves: This book has some very intense essays.
Some of them are incredibly academic and intellectual and take a lot of focus to read. Even with the difficulty there is a lot of really good stuff in here for any one interested in photography past it being a hobbie.
Dec 28, Johnny rated it did not like it Recommends it for: Had to stop reading it when I got to the marxist-feminist re-evaluation of that noted mysoginist Edward Weston. And how about the typos.
Seriously, did anybody proof this before it went to print? Jun 12, Carrie rated it it was amazing Shelves: Perfect for teaching contemporary photo theory.
Excellent book. Nov 21, Casey Riggs rated it it was amazing. Very good Essays on photography theory. Good source book to have on the shelf. Mar 02, Peyman Gh rated it it was amazing. Mar 15, Jamie is currently reading it.
I read the essays in this occassionally. Good for increasing your literacy on issues and theory surrounding photography. Begum Yamanlar rated it it was amazing Nov 11, Miss Jeen rated it it was amazing May 02, Clare Parsons rated it it was amazing Apr 26, Kim rated it really liked it Mar 04, Diva rated it really liked it Oct 15, Matt rated it it was amazing Apr 05, Ada Regueiro Obregon rated it it was amazing Aug 06, Dani rated it really liked it Aug 21, Lauryna Way rated it it was amazing Nov 07, Ann Lo rated it it was amazing Sep 30, Amber Goodwin rated it liked it Jan 13, Alec Horvath rated it it was amazing Jan 01, Ivymay rated it it was amazing Jun 05,