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Rafael Moneo In In San Sebastian. Moneo sought to create two separate and autonomous volumes. Moneo chose to celebrate the idea of geographic accident by inclining each prism three degrees on the horizontal and five degrees on the vertical4 toward the sea and the mountains beyond. The rocks belong to the landscape and not the sea. IMAGE 6.
Design Aside from refusing to violate the natural presence of the river in the city. Each prism has an auditorium ascribed asymmetrically within it. The only exterior view afforded in each is through a single window.
The platform at the base of the prisms contains exhibition halls. The area also contains information and ticket booths. Program The primary functions of the Kursaal Centre are contained within the two prismatic volumes. In the sub-basement.
The larger of the volumes contains the auditorium. The larger of the halls seats 1. In section. In reality. These glass tiles and strips are supported entirely by an independent steel structure.
Structure The Kursaal Centre has a double glass skin made of concave translucent glass tiles on the exterior and strips of translucent glass on the interior.
The thick facade is separated from the interior auditorium boxes. The concave glass tiles are attached to the steel structure using struts and IMAGE 18 two steel mounting clips. The module for the spacing of the bays is six meters. Facade System The steel system which supports the facade is made of box columns and angled box beams. The mechanical systems are suspended from the trusses and hang above the au- ditoriums.
The building resists the lateral load created by the strong salt laden winds through structural repetition. The gravity load of the facade.
Cast Concrete System There are The independent structures meet the facade only through the intermediary stair platforms. The beams taper in response to the forces of compression and tension.
The photograph of the model on the left does not include the concrete beams. Concrete Beams The precast concrete beams in the Kursaal Centre support the roof of the interior auditorium volume. The image below shows the tilt-up concrete walls in yellow and the precast concrete beams in red. The presence of the concrete beams only above the timber ceiling responds to the additional load of the secondary ceiling system.
The design on the right. The failure was attributed to the steel supports. This occurred be- cause welding weakened the U-shaped steel bars at their point of greatest stress. Interiors Moneo plays with the scale of the cedar cladding on the interior and exterior of the concrete auditorium forms.
He establishes greater contrast through his use of bands of artificial light on the interior. Rockwool 5: Monolithic Architecture.
Footnotes 1: Architectural Record. Fundacio Mies van der Rohe.
Rodolfo and Rudolphe el-Khoury. Bibliography Cohn. Miguel A. European Union Prize for Contemporary Architecture: Rafael Moneo. Croquis del CDAN. See also: Rafael Moneo: El Croquis - Wikipedia ; El Croquis is one of the most prestigious architectural magazines in the world.
The leading In his works, architecture and The City Hall of Culturas de Ansaldo El Croquis. Rafael Moneo que recoge el Lugar y arquitectura.
Figura 5. Croquis del proyecto Centro de Arte y. Flag for Croquis, issue 64, Benedetta Tagliabue, in: El Croquis, Great thanks, in advance! Help me, please. Who could help me?