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Embeds 0 No embeds. No notes for slide. Book Details Author: Hardcover Brand: Arnold valued natural scenery for its peace and permanence in contrast with the ceaseless change of human things. His descriptions are often picturesque, and marked by striking similes. However, at the same time he liked subdued colours, mist and moonlight. He seems to prefer the 'spent lights' of the sea-depths in "The Forsaken Merman" to the village life preferred by the merman's lost wife. In his poetry he derived not only the subject matter of his narrative poems from various traditional or literary sources but even much of the romantic melancholy of his earlier poems from Senancour 's "Obermann".
Prose[ edit ] Assessing the importance of Arnold's prose work in , Stefan Collini stated, "for reasons to do with our own cultural preoccupations as much as with the merits of his writing, the best of his prose has a claim on us today that cannot be matched by his poetry. More recent writers, such as Collini, have shown a greater interest in his social writing,  while over the years a significant second tier of criticism has focused on Arnold's religious writing. In it, he attempted to explain his extreme act of self-censorship in excluding the dramatic poem "Empedocles on Etna".
With its emphasis on the importance of subject in poetry, on "clearness of arrangement, rigor of development, simplicity of style" learned from the Greeks, and in the strong imprint of Goethe and Wordsworth, may be observed nearly all the essential elements in his critical theory.
George Watson described the preface, written by the thirty-one-year-old Arnold, as "oddly stiff and graceless when we think of the elegance of his later prose. In his lectures On Translating Homer were published, to be followed in by Last Words on Translating Homer, both volumes admirable in style and full of striking judgments and suggestive remarks, but built on rather arbitrary assumptions and reaching no well-established conclusions. Although Arnold's poetry received only mixed reviews and attention during his lifetime, his forays into literary criticism were more successful.
Arnold is famous for introducing a methodology of literary criticism somewhere between the historicist approach common to many critics at the time and the personal essay; he often moved quickly and easily from literary subjects to political and social issues. His Essays in Criticism , , remains a significant influence on critics to this day, and his prefatory essay to that collection, "The Function of Criticism at the Present Time", is one of the most influential essays written on the role of the critic in identifying and elevating literature — even while admitting, "The critical power is of lower rank than the creative.
He considered the most important criteria used to judge the value of a poem were "high truth" and "high seriousness".
By this standard, Chaucer's Canterbury Tales did not merit Arnold's approval.
Further, Arnold thought the works that had been proven to possess both "high truth" and "high seriousness", such as those of Shakespeare and Milton, could be used as a basis of comparison to determine the merit of other works of poetry.
He also sought for literary criticism to remain disinterested, and said that the appreciation should be of "the object as in itself it really is. Between and he wrote Culture and Anarchy , famous for the term he popularised for the middle class of the English Victorian era population: " Philistines ", a word which derives its modern cultural meaning in English — the German-language usage was well established from him.