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The main possible causes of the problem the effect are drawn as bones off of the main backbone. Where Project MARS differs from most fiction of the midth century is in its multiple main characters. Typical science fiction of that era involved one main character perhaps with a side-kick who beats the odds, saves the world, and gets the girl, pretty much all by himself.
In von Braun's story there are many characters who make essential contributions, and the story will center for a time on each of them.
This may be a throwback to von Braun's stated fascination with the works of Kurd Lasswitz, the father of German science fiction, whose book "On Two Planets" featured a host of characters, all contributing to the plot but with individual roles. This is also consistent with how the real world works - many people working together to accomplish what must be done; each affecting and being affected by the others.
It's no accident that contemporary fiction predominantly relies on this "multiple protagonist" style. You will find no ravaging monsters, terrorists or killing machines in this story; there is danger without a "dark side," and challenge without threat, just like the real world. However, it does differ from a "real" space mission in that there are no interfering politicians, lobby groups, trade unions, etc.
Von Braun clearly believed this was possible this story takes place in the s and went to great lengths to prove as much, both in his professional life and in his writing. When this story was written, in , a manned mission to Mars was considered fantasy by the man in the street, but today very few people would deny it was possible. The reasons that we haven't done it are economic, not technical.
There are minor social matters in the story that might be different from what would happen if this mission were flown today - such as the all-male crew - but they don't detract in any way from either the story or the idea of a manned mission to Mars.
There are no miracle technologies or leaps of faith required to make this story believable, just a willingness to be entertained. In this never-before-printed science fiction novel, Wernher von Braun, combines technical fact with a human story line in the way that only a true dreamer can realize.
Wernher von Broun 7 Author's Preface There are few dreams of the future which have woven so fascinating a web around human fantasy as flight through space. Since the first, epoch-making experiments of the great American pioneer of rocketry, Robert Goddard; since the days when Hermann Oberth, the German, and the Russian Constantin Eduardovitch Ziolkowsky published their startling writings on rocket propulsion, a veritable spate of literature has overwhelmed the public.
This has covered the entire field ranging from serious, scientific dissertations to comic strips. This literature is so voluminous as to render it difficult for even an engineer to sift the actual interplanetary premises of rocketry from idle conjecture, for in many minds there is a strong tendency to identify rocketry with space travel. In the meantime, rocketry has become a recognized part of the science of armament and this tends to darken the glass through which one peers into its future.
Much development has taken place since the first crude experiments of the path-finding pioneers, and much of this has been hidden from the public view for reasons of military security. The object of this book is to assist the eye of the public to penetrate the thicket of confusion in which the future of rocket power now lies hidden. The following pages present a sketch of inter-planetary travel as visualized by one who for more than two decades has tumbled along the thorny path leading to the development of large rockets.
The author has had his full share of bitter disappointments, nor does he underestimate the height and ruggedness of the barriers to be conquered before the first manned rocket shall be projected into illimitable space.
Despite our justified preoccupation with the problems of today, we must not neglect those of the morrow. It is the vision of tomorrow which breeds the power of action.
Thousands of scientists and engineers are laboring constantly to perfect our knowledge of rocketry and rocket propulsion, and millions of dollars are spent yearly to advance such research. What the results will be is beyond the public ken, but they will surely exert a vital influence upon the future of the entire Earth and well beyond its present confines.
Tens of thousands of young lads live their inner lives in dreams of a rocket-powered world. They envisage themselves circumnavigating the Earth in space ships, landing on the Moon and conversing on terms of familiarity with the inhabitants of Mars. The ease with which their comic strip heroes perform such feats leaves them no doubt that the actual reality lies not far away. The author strongly feels that not only these boys but the public in general is entitled to know just how far and in what direction the science of rocketry now points and what the practical possibilities may be.
I have used an unpretentious tale as a frame in which to paint the picture. The idea has been therewith to beguile the tedium which might be caused by the relative dryness of disquisitions concerning each problem in detail. The sum of these problems represents the barrier which as yet stands between us and our voyages into space. Nonetheless, all the mathematical data in the text are, without exception, the results of careful computations or tested scientific observations.
This likewise applies to the assumptions as to the physical nature of the planet Mars, except for its canals and inhabitants. The subject of the latter is as controversial today as it was thirty years ago.
To him or her who may discover them will go my heartiest thanks, for every improvement will but serve to delineate more clearly our projected outline of future space travel. Truthfully, to project such an outline is the task of this book. My scientifically inclined readers will find in the appendix a certain amount of source material as well as the basic computations.
Putting the project in simple, narrative form permits me to outline the scientific, financial and organizational efforts which will be necessary before space travel can actually be brought into being. Few rocket enthusiasts have any idea of the inevitable scope of these efforts, nor are they mentioned in either scientific dissertations or in fiction. The space ship will, I am confident, never emerge full-fledged from the mind of any solitary inventor who has constructed it with the help of a faithful assistant in his back yard.
Seja imaginativo. O que alega ele e como o justifica? Lynch, John A. Fogg De um ponto de vista abstracto, podemos pensar que o facto de algumas redes sociais terem mais sucesso serem mais utilizadas do que outras ex: Instale em segundos! E o site Ask Jeeves exemplifica muito bem como um site www. Drunk Driving Simulator. Quer Bogost, quer Frasca utilizam conceitos distintos.
Bogost Como escreve Bogost E para adquirir mais terras de pasto, vai o jogador decidir subornar o governo e as autoridades? Como explica Bogost, em The Rhetoric of Videogames Detecta algum elemento persuasivo? Rhetoric Online: Pode mesmo assumir uma forma argumentativa: Em A systematic theory of argumentation: Raros e curtos? Para Saber mais: Racionalidade Argumenta- tiva.
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A systematic theory of argumentation: The pragma-dialectical approach. Cambridge University Press. Ferguson, Kennan Livros Labcom, , pp. Livros LabCom, p. Fogg, B. Persuasive Technology. Foss, Sonja K. Toward a Transformation of Rhetorical Theory. Mahwah, New Jersey: Lawrence Erlbaum, pp. Foucault, Michel A Ordem do Discurso. Introduction to Ludology. Wolf and Bernard Perron. New York: Routledge, pp. Gail, Tom, and Eves, Annmarie A Rhetoric of Silence. Southern Illinois University Press.
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Silencing Dissent: Isocrates, Cambridge: Harvard University Press. The essential guide to rhetoric. Roberts , Designing Visual Language: Strategies for Professional Communicators. Allyn and Bacon. Krebs, Ronald R. Lanham, R. The Electronic Word: Democracy, Technology, and the Arts.
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