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Remarkably, this is its first, long overdue publication in English. Eco's approach is anything but dry and academic.

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He not only offers practical advice but also considers larger questions about the value of the thesis-writing exercise. How to Write a Thesis is unlike any other writing manual.

It reads like a novel. It is opinionated. It is frequently irreverent, sometimes polemical, and often hilarious. Eco advises students how to avoid "thesis neurosis" and he answers the important question "Must You Read Books? How to Write a Thesis belongs on the bookshelves of students, teachers, writers, and Eco fans everywhere.

Already a classic, it would fit nicely between two other classics: Strunk and White and The Name of the Rose. Recensie s Although first published in Italian in , before Eco The Name of the Rose became an internationally renowned novelist, this guide to writing a thesis-originally aimed at Italian humanities undergraduates-brims with practical advice useful for writing research papers His advocacy of index card files to organize data seems quaintly nostalgic in the age of laptops and online databases, but it only underscores the importance of applying these more sophisticated tools to achieve the thoroughness of the results that he advocates.

Best of all, the absolutely superb chapter on how to write is worth triple the price of admission on its own. It is witty but sober, genial but demanding-and remarkably uncynical about the rewards of the thesis, both for the person writing it and for the enterprise of scholarship itself Some of Eco's advice is, if anything, even more valuable now, given the ubiquity and seeming omniscience of our digital tools Eco's humor never detracts from his serious intent. And anyway, even the sardonic pointers on cheating are instructive in their way.

Instead, it's about what, in Eco's rhapsodic and often funny book, the thesis represents: Even sections such as that recommending the combinatory system of handwritten index cards, while outdated in the digital age, can propose a helpful exercise in critical thinking, and add a certain vintage appeal to the book.

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Language and Lunacy Auteur: Umberto Eco. Schrijf een review. E-mail deze pagina. Inkijkexemplaar Bekijk video. Ebooks lezen is heel makkelijk.

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Na aankoop zijn ze direct beschikbaar op je Kobo e-reader en op je smartphone of tablet met de gratis bol. Columbia University Press. He is best known internationally for his novel Il nome della rosa The Name of the Rose , a historical mystery combining semiotics in fiction with biblical analysis, medieval studies, and literary theory.

Alles van Umberto Eco. Toon meer Toon minder. Samenvatting Best-selling author Umberto Eco's latest work unlocks the riddles of history in an exploration of the ''linguistics of the lunatic,'' stories told by scholars, scientists, poets, fanatics, and ordinary people in order to make sense of the world.

Exploring the ''Force of the False,'' Eco uncovers layers of mistakes that have shaped human history, such as Columbus's assumption that the world was much smaller than it is, leading him to seek out a quick route to the East via the West and thus fortuitously ''discovering'' America. The fictions that grew up around the cults of the Rosicrucians and Knights Templar were the result of a letter from a mysterious ''Prester John''—undoubtedly a hoax—that provided fertile ground for a series of delusions and conspiracy theories based on religious, ethnic, and racial prejudices.

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While some false tales produce new knowledge like Columbus's discovery of America and others create nothing but horror and shame the Rosicrucian story wound up fueling European anti-Semitism they are all powerfully persuasive. In a careful unraveling of the fabulous and the false, Eco shows us how serendipities—unanticipated truths—often spring from mistaken ideas.

From Leibniz's belief that the I Ching illustrated the principles of calculus to Marco Polo's mistaking a rhinoceros for a unicorn, Eco tours the labyrinth of intellectual history, illuminating the ways in which we project the familiar onto the strange.

Eco uncovers a rich history of linguistic endeavor—much of it ill-conceived—that sought to ''heal the wound of Babel. In closing, Eco considers the erroneous notion of linguistic perfection and shrewdly observes that the dangers we face lie not in the rules we use to interpret other cultures but in our insistence on making these rules absolute.

With the startling combination of erudition and wit, bewildering anecdotes and scholarly rigor that are Eco's hallmarks, Serendipities is sure to entertain and enlighten any reader with a passion for the curious history of languages and ideas.

Recensie s Eco cajoles his readers to go out and learn more, and perhaps, to disagree with him. His text is thought-provoking, often outright funny, and full of surprising juxtapositions.

The Atlantic Fans of Eco's novels will not be left dissatisfied--his fictional players are still present: Templars, Illuminati, Jesuits, Theosophists, and Masons. They all have a part in this intriguing look at how the study of language can be full of surprises.

Booklist Rich in historical anecdotes Throughout, his treatments are informative, intellectually sophisticated, and thoroughly entertaining.