Hanon the virtuoso pianist pdf


 

C. L. HANON. The Virtuoso-Pianist. Part I. Preparatory exercises for the Acquirement of Agility, Independence,. Strength and Perfect Evenness in the Fingers. CD Sheet Music (tm) -- Hanon -- The Virtuoso Pianist. As soon as Ex. 1 is mastered, go on to Ex. 2 without stop- ping on this note. 5. 4. No. Hanon piano pdf - Click to print. The Virtuoso Pianist by C. L. HANON Part 1 transposed in all keys. PDF Format - pages - Piano exercises. GET IT ON.

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Hanon The Virtuoso Pianist Pdf

Charles-Louis Hanon's piano book "The Virtuoso Pianist In Sixty Exercises" - PART PDF Format - pages - Piano exercises. GET IT ON. MORE INFO >. Work Title, Le pianiste virtuose. Alternative. Title, The Le pianiste virtuose en 60 exercices calculés pour acquérir l'agilité, l'indépendance, la force et la plus. The Virtuoso-Pianist. Part I. Preparatory Exercises for the Acquirement of Agility, C. L. HANON. (M. M. J= 60 to ) 1 2 3 4 5 mf1 2 3 4 5. (4 ascending.

You are on page 1of Search inside document TP Sheet. CDi The Virtuoso-Pianist. Part I. Stretch between the fifth and fourth fingers of the left hand in ascending, and the fifth ana fourth fin- gers of the right hand in descending. For studying the 20 exercises in this First Part, begin with the metronome set at 60, gradually increas- ing the speed up to ; this is the meaning of the double metronome-mark at the head of each exercise. Lift the fingers high and with precision, playing each note very di C. Observe that, throughout the book, both hands are continually executing the same difficulties; in this way the left hand becomes as skilful as the right. Besides, the difficulties executed by the left hand in ascending, are exactly copied by the same fingers of the right hand in descending; this new style of exercise will cause the hands to acquire perfect equality. The entire work should be practised in this manner. Therefore, when playing the numbers in the First Part, stop only on the last note on pp.

Exercises 44 - Labeled "virtuoso exercises for mastering the greatest technical difficulties.

This part includes repeated notes, repeated double notes, scales in thirds and octaves, tremolos, and more. After all three parts are mastered, Hanon recommends all exercises be played through daily to retain technique. Criticisms[ edit ] The most common criticism of the Hanon exercises is that having students drill on purely physical exercises results in an unmusical, mechanistic attitude toward the piano.

Critics [1] argue that practicing in an unmusical way dulls one's musical instincts, especially when forced upon children and beginners though in the introduction he does state that the book should be begun a year or so after beginning piano study , who need to cultivate their musicality rather than inure themselves to rote physicality. It is also argued that it is more efficacious to practice one's musicality as one practices one's technique; training in most art forms involves practicing technique, however repetitively, within artistic context.

AC #25 – Three Piano Technique Practice Tips (Part-2 of 3)

It is further argued that musicality drives technique; the flow of musical expression is a potent motivator to finger agility. In the notes accompanying his work Hanon considered his exercises less "dry" than other "five-finger exercises".

Some detractors, such as Abby Whiteside have dismissed the very notion of finger independence which they are intended to encourage, insisting instead that only a technique based on the use of the humerus can be effective. This does not prepare you to be either a pianist or a musician.

Too often, teachers assign technical exercises as a shortcut to technical mastery. It is easier to assign pages from an exercise book than to analyze and break down the physical elements in a specific difficult passage of music Dorothy Taubman is one of the well known pedagogues who campaigns against technical exercises, asserting that they do far more damage than good. Reverse and play short- long. Play in the group of 4: Long-short-short-short Play in the group of 4: Short-short-short-long Play in the group of 4: Short-long-short-short Play in the group of 4: Short-short-long-short Play your right hand louder than the left.

Exercise N°1

Play your left hand louder than the right. Take turns playing loud and soft between the hands, and do frequent changes- Fun! Keep repeating the ones you have learned until you have mastered all You can now play through all 10 each day as a warm up.

Then start new with the next set of 10, and leave the old. Hanon, Part 2 These exercises are similar to the first part, they just are made as longer patterns. But by now you will learn each pattern much easier and quicker, since the reading and understanding of what might have seem as a scary bunch of notes!

Use the strategies for practicing as above; maybe skip steps 1, 4 and 5 if you wish. This part of "Hanon the virtuoso pianist" also contains all the major and minor scales, chromatic scales, arpeggios and chord practice.

Part 2: Click here to get a free pdf-file Hanon, Part 3 Part 3 of Hanon the virtuoso pianist is not for beginner pianists, here you need to be careful and listen to your body.

[PDF] FREE Hanon: The Virtuoso Pianist, Book 1: In Sixty E… | Flickr

Playing the piano should never hurt and you should take a break if you feel any fatigue! This is important! For smaller hands, take it in small doses with the stretching exercises, and again listen to your body!

Combine a couple of these exercises each day with a few of the exercises that you have learned from part 1 and 2. In this way you will have both finger, stretching and strengthening exercises. Learn them by heart and use as a "tailored to your needs" daily warm up.

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