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The M11 control, for example, affects the cell in the first row and first column of the grid; the M32 control affects the cell in the third row and second column. The pixel being evaluated falls in the center of the grid, at the M22 location. Use this effect for fine control over the properties of various emboss, blur, and sharpen effects. For a given effect, it is easier to apply one of the Convolution Kernel presets and to modify it, than to create the effect from scratch using the Convolution Kernel effect itself.
Convolution Kernel pixel grid, showing the position of each control in the matrix Extract effect The Extract effect removes colors from a video clip, creating a grayscale image. Everything between those points will appear gray or white.
Levels effect The Levels effect manipulates the brightness and contrast of a clip. This effect functions much the same as the Levels effect in After Effects. The Levels Settings dialog box displays a histogram of the current frame Windows only.
Lighting Effects effect The Lighting Effects effect applies lighting effects on a clip with up to five lights to introduce creative lighting.
Lighting Effects lets you control lighting properties such as lighting type, direction, intensity, color, lighting center, and lighting spread. There is also a Bump Layer control to use textures or patterns from other footage to produce special lighting effects such as a 3D-like surface effect. ProcAmp effect The ProcAmp effect emulates the processing amplifier found on standard video equipment. This effect adjusts the brightness, contrast, hue, saturation, and split percent of a clip's image.
You can also adjust the overall contrast of an image. The default settings are for fixing images with backlighting problems. Auto Amounts If this option is selected, the Shadow Amount and Highlight Amount values are ignored, and automatically determined amounts are used that are appropriate for lightening and restoring detail to the shadows. Selecting this option also activates the Temporal Smoothing control.
Shadow Amount The amount to lighten shadows in the image. This control is active only if you deselect Auto Amounts. Highlight Amount The amount to darken highlights in the image.
Temporal Smoothing The range of adjacent frames, in seconds, analyzed to determine the amount of correction needed for each frame, relative to its surrounding frames. Scene Detect If this option is selected, frames beyond a scene change are ignored when surrounding frames are analyzed for temporal smoothing.
Expand the More Options category to reveal the following controls: Shadow Tonal Width and Highlight Tonal Width The range of adjustable tones in the shadows and highlights. Lower values restrict the adjustable range to only the darkest and lightest regions, respectively.
Higher values expand the adjustable range. These controls are useful for isolating regions to adjust. For example, to lighten a dark area without affecting the midtones, set a low Shadow Tonal Width value so that when you adjust the Shadow Amount, you are lightening only the darkest areas of an image. Specifying a value that is too large for a given image might introduce halos around strong dark to light edges.
The default settings attempt to reduce these artifacts. They can be further reduced by decreasing these values. Shadow Radius and Highlight Radius The radius in pixels of the area around a pixel that the effect uses to determine whether the pixel resides in a shadow or a highlight. Generally, this value should roughly equal the size of the subject of interest in your image.
Color Correction The amount of color correction that the effect applies to the adjusted shadows and highlights. For example, if you increase the Shadow Amount value, you bring out colors that were dark in the original image; you may want these colors to be more vivid.
The higher the Color Correction value, the more saturated these colors become. The more significant the correction that you make to the shadows and highlights, the greater the range of color correction available. Midtone Contrast The amount of contrast that the effect applies to the midtones. Higher values increase the contrast in the midtones alone, while concurrently darkening the shadows and lightening the highlights.
A negative value reduces contrast. These are then mapped to output black and output white, ensuring that input black and input white values are based on representative rather than extreme pixel values. Blur and Sharpen effects Camera Blur effect Windows only The Camera Blur effect simulates an image leaving the focal range of the camera, blurring the clip.
For example, by setting keyframes for the blur, you can simulate a subject coming into or going out of focus, or the accidental bumping of the camera. Drag the slider to specify a blur amount for the selected keyframe; higher values increase the blur. You can specify that the blur is horizontal, vertical, or both. Repeat Edge Pixels blurs the pixels beyond the edge of the clip as though they have the same values as the edge pixels.
This effect keeps edges sharp, preventing the edges from darkening and becoming more transparent—which would result from them being averaged with many zeroes.
Deselect this option to make the blur algorithm operate as if the pixel values beyond the edge of the clip are zero. Compound Blur effect The Compound Blur effect blurs pixels based on the luminance values of a control clip, also known as a blur layer or blurring map. By default, bright values in the blur layer correspond to more blurring of the effect clip.
Dark values correspond to less blurring. Select Invert Blur for light values to correspond to less blurring. This effect is useful for simulating smudges and fingerprints. Also, it can simulate changes in visibility caused by smoke or heat, especially when used with animated blur layers. Original left , blur layer center , and result right Maximum Blur The maximum amount, in pixels, that any part of the affected clip can be blurred.
Stretch Map To Fit Stretches the control clip to the dimensions of the clip to which it is applied; otherwise, the control clip is centered on the effect clip. Directional Blur effect The Directional Blur effect gives a clip the illusion of motion.
Original left , and with effect applied right Direction The direction of the blur. Original left , and with effect applied right Gaussian Blur effect The Gaussian Blur effect blurs and softens the image and eliminates noise.
Sharpen effect The Sharpen effect increases the contrast where color changes occur. Unsharp Mask effect The Unsharp Mask effect increases the contrast between colors that define an edge. Original left , and with effect applied right Radius The distance from the edge at which pixels are adjusted for contrast. If you specify a low value, only pixels near the edge are adjusted. A lower value produces a greater result. A value that is too low causes an adjustment to the contrast of the entire image.
A low value can also generate noise or cause unexpected results. Operator The operation to perform between the value you specify for each channel and the existing value of that channel for each pixel in the image: And, Or, and Xor Add, Subtract, Multiply, and Difference Apply basic math functions. In both cases, the values for the other color channels are set to 1. Screen Apply a screen. Clip Result Values Prevents all functions from creating color values that exceed the valid range.
Blend effect The Blend effect blends two clips using one of five modes. After you blend clips using this effect, disable the clip you selected from the Blend With Layer menu. Blend With Layer The clip to blend with the secondary or control layer. Mode Blend mode: Crossfade fades out the original image while the secondary image fades in.
Elliott proposes to Kate, who accepts. It is revealed that Gia was only helping Elliott choose the ring. The newlyweds continue with their erotic sexual experimentation, but matters become complicated when Ana announces she is pregnant. Christian is deeply disturbed, saying he had other plans for their early years together.
He leaves, going on a night-long drunken bender. She becomes angry with Christian and locks herself in the playroom for the night. Christian searches for Ana in the morning and they continue arguing with Ana telling Christian how important the baby is for her.
He warns Ana to tell no one and to bring the money alone. The suspicious bank manager calls Christian. He thinks Ana is leaving him but then notices the coincidence of Hyde's recent release, Mia's unknown whereabouts, and Ana's sudden large cash withdrawal. Hyde instructs Ana to get into a car parked in the alley and to hand over her phone to the driver to discard.
Ana tricks Hyde by taking the bank manager's phone and slipping her own phone into the bag of money. She exits the back entrance to discover that the driver and Jack's accomplice is her co-worker, Liz.
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